Cable Pentax
Cable Pentax
night photography lighting?
Okay, so I'm in photography, and have a great idea for a session … The problem it was his night, and I'm still having problems with night photography. I have no cable outlet, I know I do (I have a Pentax K1000 Asahi SLR … its super old), but I do not know where to find a good one. Also, I'm not sure how to get a good lighting of the image I want to … I really lost here. Any help would be greatly appreciated. Oh, and do not know what kind of film would be enough. I generally use Fuji film 400 speed, 35 mm. What would be the best marks for low light situations? I really need a cable release … What type should I expect? And more specifically, Where?
These two photographs http://photo.net/photodb/photo?photo_id=8651421 http://photo.net/photodb/photo?photo_id=7868995 … have been with long exposure times, impossible to see properly without a cable release with a K-1000. Fujichrome Velvia generally use (ISO 50) for my night work, and is used exclusively for the 156 pictures in my MelbourNocturne series. The reason it will be a long exposure Anyway, only film and faster will be more granular. So it's really been able to use fine-grained saturated films. very long exposures, it is a phenomenon known as reciprocity failure "This is indicated by a slight change in color becomes more pronounced with long exposures. However, they found the transition to be very aesthetic, and provides a touch of color to the funky images. Incidentally, my longest series of exposure MelbourNocturne was a little over six hours, made possible by an external battery connected the Pentax 6×7. Return to your question, I'm not sure what you mean by "enlightenment" when night photography exercises. You designate existing or complementary? If this light you want, I shoot with the color balance has been left alone (without color correction filter on the lens) and are based on the colors of light to fall where they may. Supplemental light is a bit harder to use if you do not have a flash meter. Calculate the flash unit guide number you use, then ask to open fire with adjustment. To find the guide number of flash: 1. In a Darkened "environment (night work good for this), in a cardboard black, white card and a card of 18% gray on one wall. Load the camera with ISO 100 slides (one roll of 12 frames, if you find it, it will be perfect for that. Otherwise, the test in a part of a roller which is used for shooting Ordinary). Put the camera on a tripod 10 m from the cards, with the objective and focused on the display and turn the flash. 2. Set the flash to manual (M) and power (1,1). Turn it on and wait 20 seconds after the "Ready" lights. Set the shutter speed (the camera) to 1 / 30 and its opening to its lowest setting (usually f/22). Type "22" on a map and the band maps near the wall. Make sure all four of the letters are visible and focused on the camera. Lights out ambient and fire. 3. Film Advance, open the aperture to the forthcoming creation (In this example, f/16), and replace the "number 22" card "16." Repeat the steps for this year and all settings to wide open. 4. Get the movie Treaty, and examine the blade. Find the one that looks best, and take note the corresponding opening. 5. Math. If the opening is the best 11, multiply 11 by 10 (feet), and obtain GN = 110, which means that ISO 100, [number feet of the subject] times] opening [= 110. So for this, follow the math, a subject would get the 5-meter aperture setting f/22. For ISO 200 film, multiply the GN by 1.4 ISO 400, twice, and ISO 50, divide the GN by 1.4. So it is that mathematics to calculate other values for variable power settings. It's a bit long strings to wrap the package, but I hope it helps! Good luck! Darin
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Rokinon 35mm f/1.4 Aspherical Lens for Pentax Cameras $499 This Rokinon 35mm Aspherical Lens is the most recent addition to Rokinon’s professional line of lenses. This lens has a large aperture that provides beautiful, soft-focus foregrounds and backgrounds, and enables fast, action-stopping shutter speeds. |